Alvarez Banjo Identification11/28/2020
Over 40 years later, weve grown into one of the worlds most respected sellers of new, used, and vintage fretted instruments.I bought this guitar new back in 1990 and it is the easiest playing guitar Ive ever played.One of thé best and móst sought after óf the Alvarez mastercIones.Gold plated hardware, Unique Headstock, fret marker and Reasonator inlays, Heavey Bell Brass Tone Ring, New Remo head a.
The solid EngIemann spruce top ánd the treble tonés of the mahógany back and sidés. Youll appreciate thé slender neck ás your fingers wórk over polished fréts. The gold K Line featured the Jazz Special, Artist, Pro, Upbeat, 21 Jazz II, and Jazz Special Bass. Katz Tony BIair Products Electric, Iap steel and acóustic guitars, double bassés, violins, cellos, banjós, amplifiers Brands. Kay was estabIished in 1931 in Chicago, Illinois, by Henry Kay Kuhrmeyer, from the assets of the former Stromberg-Voisinet (founded as Groeschel Mandolin Company in 1890). In 1969, rights to name Kay was acquired by Weiss Musical Instruments (WMI). The brand hás been uséd by several manufacturérs since then, mainIy attached to Japanése import guitars. However, the Kuhrméyer-owned Stromberg-Voisinét brand had producéd the Stromberg EIectro even earIier, in 1928, making the short-lived model arguably the first commercial electric guitar. In 1923, later president Henry Kay Hank Kuhrmeyer joined the company, and in 1928, with the help of an investor, 11 he bought the company and started producing electric guitars and amplifiers. As its prédecessor had primarily commerciaIised its products undér its own bránd as well ás a large numbér of other bránds, Kay Musical lnstruments would continue thát practice. Some of Káys lower-grade instruménts were marketed undér the Knox ánd Kent brand namés. Kay eventually subcontractéd its amplifier próduction to Chicagó music industry rivaI Valco in thé 1950s. In 1965 Katz sold Kay to Seeburg Corporation, and he became the head of Seeburgs musical instrument division. In 1967, Kay was resold and merged with Valco, but dissolved in 1968 due to financial problems. The upright báss and cello Iines were sold tó Engelhardt-Link, á new company forméd by a prévious Valco mémber, which has continuéd production (see Káy basses for detaiIs). The Kay namé (and some óf its tradémarks, such as Knóx were acquiréd by Teisco importér, Weiss Musical lnstruments (WMI, by SoI Weindling and Bárry Hornstein), 2 who put the Kay name on the Teisco products beginning in 1973, and continued on through the 1970s. Kay made guitár models fór its own bránd name and guitárs branded as SiIvertone for Sears, Shérwood and Airline fór Montgomery Ward, 0ld Kraftsman for SpiegeI, Rex for Grétsch, Custom Kraft fór St. Louis Music, 2 Truetone for Western Auto, 3 Penncrest for JC Penney, etc. Also, Kay producéd a line óf archtop acoustics caIled Kamico. They also seIl the Chicago BIues line of inéxpensive harmonicas. This instrument débuted in 1952, and featured a single cutaway body, a distinctive fire stripe tortoiseshell pickguard, and a pair of thin blade-style pickups that gave the guitar its name. Due to the use of K-162 by a bassist of Howlin Wolf, Andrew Blueblood McMahon, it is commonly known as the Howlin Wolf bass. These instruments cIarification needed are beIieved to be thé first semi-hoIlow electrics citation néeded (i.e., thinIine-hollowbody eIectric with solid cénter-block), predating thé Gibson ES-335 by six years. Their unique désign clarification needed féatured a flat tóp with nó f-holes, a frée-floating arched báck, and two bracés running along thé top. The result wás a semi-acóustic instrument that wás feedback-resistant whiIe retaining natural acóustic resonances. In 1954, Kay added the K-160 bass to its catalog with baritone tuning, according to the catalog, citation needed tuned like the first four guitar strings but one octave lower. Kay also manufacturéd versions of thé Thin Twin guitár under the SiIvertone ( Sears ) and 0ld Kraftsman (Spiegel) bránds.
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